Friday, January 31, 2014

Tugboat


(screenshot from The 400 Blows; song reference here)

Today on Snow Day, Pt. 2, I've been trying to come up with ideas to form a cohesive narrative structure for a new blog post. However, I couldn't string together much more than a paragraph or two for each idea I had (lack of sleep + lack of Dr. Pepper look to be the main causes), so I'm going to try something different with this. Here's a set of shorter vignettes/ideas/thoughts I've had as of late that I'll try to put into words on a typing machine which may or may not add up to some sort of thematic ideal in the end. I think I'll apologize in advance for the lack of sense this is likely to make.

Snow

I'm in year 21 on this planet and I'm still unable to properly conclude how I feel about snow. It's a fantastic thing to look at (I doubt that I've ever heard anyone argue against the idea of a winter snowstorm being beautiful), but the severely limited transportation/the fact that it's still quite cold can't be underestimated as major negatives. Then again, I haven't been to class or work since Monday thanks to this, so...yeah. There is no conclusion, I'm back where I started at, I knew this would happen, and I'm really sorry. (This is more or less the plot of Bicycle Thieves.)

#Blessed

I have no idea if this is exactly a blasphemous or offensive thing to discuss, but I can't stop thinking about it for whatever reason: how have Christians helped make the word "blessed" a new-age social media joke? Admit it: it's hilarious when used in a joking manner, but some of us who are Christ followers are unable to laugh sometimes (thankfully, I don't think I've been in this group since early freshman year). Let's set a few quick ground rules: it's okay to say you're "blessed" by a person/God/etc. However, please never ever ever ever EVER use #blessed in a serious manner. I'm begging you. We'll call it a new social media etiquette, because the same people who use #blessed repeatedly and seriously are the five people you know who still worship Joel Osteen.

Buckets

No one cares about this except myself and two others, but college basketball is really fantastic and you should start watching it before March. Also, watching basketball teams that aren't Tennessee are a wonderful distraction from watching a Tennessee basketball team that defines "Tougher Breed" as "repeatedly slamming your head into the same wall for two hours." I'll stop talking about this subject before I get in too deep.

20@20

If you know me at all, you know that the idea of music as something more than background noise is very important to me. I believe that under the right circumstances and with a solid mindset towards looking for a deeper meaning, a person can have a thorough and strong connection to a piece of music of any kind (as long as it's not the abominable "Party Rock Anthem"). I've lost count of how many times I've experienced this, whether it was through my typical pessimistic disposition (Red House Painters is my go-to here) or a sunnier one that makes me think of summer (also known as the only time listening to Neon Indian/the like is acceptable).

I get asked quite often about what I've been listening to or what I would recommend to people (no this isn't a humblebrag I promise), so I thought I would do a quick section on a few favorites of mine. I'm linking readers to a Spotify playlist of 20 songs that are personally important to me in different ways, whether I listened to them for the first time in high school and they changed how I listened or in that they're just unbelievably addictive and lovable. (This is the same reasoning that allows The Big Lebowski to be on the same list as Citizen Kane.) The playlist is titled 20@20 because I'm 20 years old (LOLOL I'm so creative!!!) and 20 is a nice, round number. Also, to clarify: this is NOT a list of my 20 favorite songs of all-time, but rather a good starter list of sorts. (They'd all be in my top 100, at least.)

No Depression

I never realized how important it was to understand what kind of person you were until I made it to college. I never would have been able to admit that I was depressed from time to time in middle/high school or that I have a rather unnerving case of social anxiety, but I've often made it known on the internet (read: this blog and whoever messages me about it on Facebook) that I struggle with both of these things. It's part of who I am, and I have to be comfortable with it and understand that these are road blocks in my life that I've had to comprehend and deal with for the past few years.

A couple of really fun things about this, though: it took me a long time to realize that I wasn't alone in my struggles, but when I did, it was the most freeing feeling I can recall having. Fellowship ran a video a few months ago featuring an older gentleman who deals with depression each day, but still worships the Lord with a full heart and a loving mindset. That's the type of person I want to be. (Maybe not depressed every day, of course, but life's pretty boring if you're happy all the time.) Also, social anxiety hasn't been quite as much of an issue since I embraced my inner introvert and started picking out no more than three people to talk to in large groups. (Sorry, others who are not one of the three. I'll rotate.) (The title of this is likely misleading; it's a reference to an Uncle Tupelo album.)

Aimless

Confession time: I've watched every episode of HBO's Girls. Far more embarrassing: I really enjoy the show. I'm not sure if it's the soundtrack (which is as good as you'll find on television today, besting even Broad City) or the fact that I can identify with the struggles of aimlessness and inadequacy that the characters face. Girls is a very sexualized show, so it's not exactly the easiest to defend or identify with. However, the struggles they face are very real - the show essentially revolves around the main character, Hannah, failing to find consistent work two years after graduating college, along with the poor life decisions she makes as a consequence.

The idea of being unable to find a consistent job after I finish my studies is honestly terrifying, and I worry more about that than I really want to admit. It's all part of the "let go and let God" ideal for me which I'm trying to apply more to my life, but it's very hard to think this way sometimes when I'm sitting on a laptop at the age of 20 with a part-time job, fighting my way through school and trying to meet the high expectations I have for myself and for my life.

Along with this, I still have anxiety issues that are at least partially influenced by the paragraph above. Hannah does as well, although hers leads to the point of a hospital and psychiatric visit along with her parents stepping in. After watching the final three episodes of season 2 (the anxiety story arc takes place then), I realized I had never related to a television character quite as well as I did Lena Dunham's Hannah. After sitting through so many bad decisions and bad breaks of Hannah's character, I finally saw her heart behind all of them. Hannah is a person inside all of us: terrified of failure, nervous when it comes to big life decisions, and sometimes reactionary to the point of (accidental) self-harm. For me, I can relate, because I've been all of these things and I still am. It's a daily issue for me, but I'm trying to be less worried about it and more knowledgeable of God and His control of my life. No one ever said life was easy; we just have to take it as it comes.

Polar Opposites

(Modest Mouse)

Pretty much everyone knows this by now, but I work with middle schoolers at a Catholic school in Bearden, a not-exactly-West Knoxville neighborhood but more or less a West Knoxville neighborhood. I work with lots of different characters and children. While it can honestly be quite the frustrating and overwhelming work experience some days, I don't regret a single day worked there.

Recently, though, it's been a little more difficult. Because I'm taking 19 hours at Tennessee this semester (which I could have avoided, but being under pressure can be enjoyable), I don't get to work there as consistently, which hasn't exactly helped my relationship with the children or the other workers at the school. Because I get asked about this often, it's probably better for me to get my feelings towards my situation out through text because talking is terrifying and/or the worst. Don't worry too much about me; the eighth-graders and I are still best friends for life.

I have no idea if I'll be returning for a third year at the school next fall. Situations are changing and I think it may be best for me to move on to either a different school or a different job. I still want to become a middle or high school English teacher, but it could be a good thing for me to relax a little before the internship portion of the Education program starts, if I'm accepted. Working at a law firm or a warehouse is a complete polar opposite from working at a school, but I think the time may have come to change things up a little bit.

Words

Shocking news straight out of a study room in Hodges Library: I greatly enjoy writing. I realize that it isn't exactly the most fun thing to do on a Friday afternoon where I have a somewhat open slot in my schedule, but there are few things I'd rather be doing. Writing is a fantastic therapeutic exercise in which I can write down a lot of words seven people will read (let's shoot for eight with this one! HOV!) and have a strong taste of "whatever idc" in my mouth about it.

Going back to the idea of me not exactly being the best at putting my words into a speech form that can be translated into something vaguely resembling English, it helps for me to understand what I'm actually thinking and writing about when I type it out on a word processor of some sort. It's quite enjoyable to read my own thoughts (this is basically the young white male version of laughing at your own jokes or vibing to your own raps) and figure out what's been bothering me as of late.

Perhaps that's why I like to have a self-imposed word goal of at least 2,000 in every essay/collection of essays/post. I'm sure everyone who reads these has to have some appreciation of word vomit, because I'm pretty unapologetic about how much I go off on really inconsequential things in life. This entire section relates back to (essentially) my struggle with self-confidence and figuring out who I am, because I'm big into self-deprecation (more on that in a minute) and keeping my profile low. I feel as if I'm being called to take a deeper look into this and become a more confident person, which is quite a challenge for me. Maybe that's a new goal for 2014, because I have a feeling Christ would like me to be a little less self-hating at some point in my life.

Fever Dream

Full disclosure: this week I had a small surgery on my foot (if you're all fine with this and would like to keep your lunches, I won't give any more details), so I haven't been the most active person with anything, whether it was social media, walking to Chipotle, or waking up on time for a meeting. That's not the point of this story; the doctor I was with was quite the nice guy, striking up a conversation with me about the education system in America and how ridiculous the idea of getting out of school for an inch of snow was (although it did end up being for good reason).

The guy gave a couple of prescriptions, one of which was a pain medication. He kind of failed to inform me that the pain medication made you feel like you were on cloud 87 and it was quite terrifying walking to class while trying to figure out if I was dreaming or if things were actually happening. (I'm finally living out every David Lynch film!) Life seems like this sometimes when ridiculous and previously incomprehensible things happen: is this real or is it imagined?

There are so many twists and turns that it's easy to get lost; I covered this in a different format a couple weeks ago. I don't know if there's a point or an answer to trying to determine what life's surrealism really means, but I'm enjoying the ride right now, regardless of if I remember anything that happened from 12 to 2 Thursday afternoon. (Don't worry, it's a one and done medicine in the sense of I took it once and I can't bear to have that happen again.)

Outro

I have no idea what I just wrote, in all honesty. Sorry about that. However, there's some loose connections tying these short vignettes together: an internal power struggle, road blocks keeping me from full commitment, irrational interests, and a hope to be better. These are very general concepts, but I think I can go out on a limb here and say these are all items that we, as humans, can potentially relate to.

I want to apologize again for being less cohesive than I would've liked to be in this post, but for the reasons discussed much earlier, I ran into a bit of a case of writer's block this week. With that said, I still wanted to get out my thoughts in some form without ranting and yelling at people and/or walls and/or other inanimate objects. Thanks for reading. (Still terrible at conclusions, you guys!)

It's just a dream he keeps having and it doesn't seem to mean anything,

Will

Tuesday, January 14, 2014

Air Bud


"In the immemorial style of young men, they decided to lie down for a while and waste time." - Michael Chabon, The Amazing Adventures of Kavalier & Clay

Ferris Bueller said it best: "life moves pretty fast." I can't really sum up how I've been feeling as of late better than that, because it feels like everything and everyone around me is moving so quickly and I'm caught in the midst of it all. The perfect storm that is life is raging right now, with school, work, and everything else at their respective peaks of productivity and output.

I don't sleep as much as I used to. That's a common theme for most people in college, right? The issue for me is that I spend a lot of time in my bed not sleeping and thinking about things that either need to be done or daydreaming about events that I want to think about instead of actually dreaming. Real dreams are terrifying and can go haywire without you having any input in them and they're never really "good."

I've learned in my time in college and through different forms of discipleship over the past two years that I struggle a lot with wanting control of different aspects of my life. I am terrified of the idea of not having control over my future or my work situation or what I'm doing next summer, but I understand that it's part of knowing God has a plan greater than anything I can dream of. I'm starting to grow slightly more comfortable with that aspect of life, perhaps because recently I've learned how much I really don't like dreams. (Sorry to dream lovers, but the nightmare to not nightmare ratio has been a solid 3:1 as of late. I can't explain it other than it's inherently related to sports and/or any coming-of-age movie released in the last decade.)

Perhaps that's why the quote you see above seems extremely relatable to me. I only have so much time in life to not be anxious about what lies ahead. Maybe it's time for me to lie down and daydream and not worry so much about what's due tomorrow or where I'm going to be in five years. I'm pretty confident that God's in control of that, so why should I be worrying anymore? (New idea: I write something about anxiety that's halfway coherent so people have a better grasp of INFP struggles.)

Because of time constraints and my inability to live in New York, I had to wait until now to release a best-of film list of 2013. I don't have a better introduction than that. Sorry.

The 20 Best Films of 2013, Ranked


Good Lord, what a year. Typically, I don't particularly enjoy the discussion of "was this a good year for film" that takes place at the end of every December, but there's no doubt in my mind that this year was the best in a decade or longer (since 2001?). I can't recall seeing such a large amount of films that I truly, deeply enjoyed, and it was legitimately painful to leave some of them off of this list. Because I hate decision making and making cuts, I've included a few more that should be watched.

Honorable Mentions


Anchorman 2: The Legend Continues. I need to be honest here: I wasn't totally convinced that I really liked this all that much, and then Vince Vaughn appeared and all was right with the series again. If it's possible to keep the story fresh (not that easy) and to maybe narrow it down to just Ron and Brick as a potential news duo, I'm not opposed to a third.

Blue Is the Warmest Color. So yeah, I watched this, and I didn't explode into flames! Imagine that. Yes, those certain scenes (look, just Google it because I'm not detailing them) are not exactly must-see (I think you can chalk it up to being "artistic" all you want, but it really kills the flow/pace of the film to that point), but the story as a whole is really beautiful and well-told. I'm especially rooting for Adele Exarchopoulos and Lea Seydoux, who deliver incredible performances and should get some award show attention with any luck.

Blue Jasmine. More or less a 2013 version of A Streetcar Named Desire with Cate Blanchett as Blanche, but it works, because Woody Allen is Woody Allen and Blanchett pulls off "downward spiral divorcee widow potential schizophrenic" like no one else can.

Dallas Buyers Club. I've already written several words on the McConaissance, but perhaps the most important ones were delivered by the man himself upon winning Best Actor (Drama) at the Golden Globes on Sunday: "this movie's not about dying, it's about living...to which I say, just keep." There's never been so much victory in an awards speech.

Despicable Me 2. I really didn't want to like this movie, mostly because I've hated just about every animated sequel ever (save for the Toy Story series). Simply put, those Minions are absolutely impossible to not be drawn in by, and Steve Carell is yet again too good as the voice of Gru. Kristen Wiig's character/love interest is a nice touch, too.

The Great Beauty. Confession: I haven't actually watched this yet. However, it's my honorable mentions list so I can do what I want, and from the 15 minutes I have been able to watch it would've been on here anyway.

The Hunt. The second-best horror film this year, for no other reason than it portrays an absolute nightmare situation for a teacher and it does it all too well. I can't recall ever wanting a happy ending more than I did watching this, and this is coming from someone who can't stand forced happy endings.

Philomena. Judi Dench + Steve Coogan = beautiful, heartbreaking true story. Go see it.

The Place Beyond the Pines. Another confession: I will watch anything Ryan Gosling's ever been in (this stops when it comes to the Notebook), because I'm not afraid to admit I have a mancrush on Mr. Gosling. I think half the reason I liked this so much was that I wanted to be Luke Glanton for Halloween for four months after seeing this in theaters.

The World's End. The slightly more funny apocalypse comedy from 2013 (no discount to This Is the End, however; it just missed the cut for this list). As long as Edgar Wright and Simon Pegg remain a team and spit out a film every four or five years, we'll be fine.

Top 20 Films of 2013

Only some of these have pictures, because I have better things to do than Google images from each of these, so I've included one for every five films (the top three are the exception). I'm sorry. Kind of.


20. Ain't Them Bodies Saints. From the title alone, it sounds like a parody of every Sundance film ever, and yes, it's kind of a Terrence Malick ripoff. Then again, we're praising American Hustle for trying to be Goodfellas Part 2, so who's really winning here? Casey Affleck remains underrated, but it's Rooney Mara who steals the show. Look for her in an actual Malick film in 2014 (or 2015 or maybe 2020. However, you can't read the cast list and tell me it won't be incredible.)

19. Leviathan. I refuse to recommend this to anyone because it's something that myself and maybe two other people I know could really enjoy. It's Deadliest Catch with Go Pros, no dialogue, and some unusually beautiful and striking shots. I have no idea if that sounds appealing to anyone but me and the Atlantic Ocean fishing industry, but it was worth 80 minutes of my time.

18. Prisoners. Hugh Jackman plays father with missing child who doesn't really understand the idea of "maybe you shouldn't do that." Jake Gyllenhaal plays detective who tries to knock sense into Jackman, admits defeat, still wins because he's Jake freaking Gyllenhaal. I really liked this.

17. The Kings of Summer. Conventional in outcome/use of snakes? Yes. However, I loved this maybe too much for my own good. Nick Offerman is brilliant as always, and the young actors (all of whom were previously on Disney Channel shows) are great performers. Also, it's hilarious and serves as a great counterpoint to the unnecessarily depressing and underwhelming The Spectacular Now.

16. Upstream Color. Quick backstory: Shane Carruth is brilliant, made Primer in 2004 (which I've watched three times and still can't figure out despite understanding a decent bit of the physics references), does not care about traditional plot structure, does not care that his movies require great amounts of research and study to really understand, and is 2-for-2 so far as a filmmaker.


15. Gravity. This is an incredible theater experience and it's going to be years before anything like it will be seen in theaters, but Mark Harris of Grantland perhaps described it best: "Gravity is hugely respected by the Academy, but the screenplay is more tolerated than loved."

14. Mud. Hit US theaters in late April and was all but forgotten by the end of the year, which is a shame. Jeff Nichols knows the South as well as anyone (Arkansas native) and really gets the most out of his cast (including McConaughey/child actors) and the people around them. Flimsy story held together by great direction/cinematography/etc.

13. American Hustle. As I said earlier, it's more or less a 2013 update on Goodfellas with a different story, but I can't sit here and pretend like I didn't enjoy this a lot. Christian Bale continues to own his roles, Amy Adams gives her third incredible performance in four years (The Fighter/The Master), Bradley Cooper shows up and does well, etc.

12. Stories We Tell. Can't describe this in much depth without giving away key plot points, but a really good genre-busting documentary. What a year for documentaries, you guys.

11. 12 Years a Slave. I do think that it's honestly very good and that it probably deserves most awards it'll get this year, but I just feel like it's either a bit overlong or I don't get why Benedict Cumberbatch is in this or what. The tree scene with Solomon may be the best/most stunning scene of the year, though.


10. The Act of Killing. The director's cut of this is around 2 hours and 40 minutes and it's almost 45 minutes longer than what one would've seen in theaters, but my decision to watch the former was one of the best I made recently. I can't really describe this documentary, mostly because I don't want to. The final half-hour is as heartbreaking as anything I've seen in years.

9. Fruitvale Station. I don't buy the line of "12 Years a Slave as most important movie" that floated around late in the year, because in the wake of the Martin/Zimmerman case and outcome, this is the film I felt I needed to see the most. Not only is it well-done and well-acted (Michael B. Jordan and Octavia Spencer are highlights), the story (true, save for Oscar Grant's girlfriend/other events made to accentuate his character) is powerful and needs to be known in 2013.

8. All Is Lost. One man and a boat and a wide-open ocean and the sea experience from hell erupting around him. Robert Redford owns this and could potentially own the Best Actor Oscar soon. Essentially, this is Gravity at sea, but with much less dialogue and for a higher common denominator.

7. Inside Llewyn Davis. I saw this for the first time late in 2013 and I almost felt as if I had missed the point, because for whatever reason I had forgotten that the Coens don't make happy films for happy people. It's beautiful in its misery and Oscar Isaac is finally getting the recognition he deserves.

6. Frances Ha. Could I watch this GIF forever? Yes. Kind of like how I could watch Greta Gerwig dance forever and how this movie wins the "Movie I'll Rewatch the Most in the Next Five Years" and how Frances makes me want to love New York like Woody Allen does.
5. Before Midnight. Before you forget that Ethan Hawke can, indeed, act, you should watch Before Sunrise. Then Before Sunset. Then this. Jesse and Celine's story gets rocky in the third installment, and it hurts because of how real it feels. I want one of these every nine years until one of Hawke/Julie Delpy is unable to perform anymore.

4. The Wolf of Wall Street. No 2013 film (or any film I can think of previously) was as vile, dirty, and lovingly loathsome as Wolf, and that's why it's absolutely incredible. Martin Scorsese pulls no punches in portraying someone as terrible as Jordan Belfort, and we love it. Leonardo isn't the Wolf, Marty is.


3. Nebraska. I can't count the amount of times while watching this that I thought I could easily interchange characters from the film with people from my family. If you have ever known anyone from the Midwest or have Midwestern family members, Nebraska is way too relatable. This is the definitive road movie of the last 25 years.


2. Short Term 12. Already covered my love for this earlier, but Brie Larson is becoming a star and I'm more than okay with that. I can only hope we'll all be comfortable with her role soon enough.


1. Her. Sammy Rhodes summed it up best for me the other day: "Her hits close to home for those of us who find comfort in the iWorld because we can't handle real intimacy." As Amy Adams says in the film, love is like a socially acceptable form of insanity. It doesn't make sense, and I'm not really sure it's supposed to. But that's not going to keep us from trying, because we want to love and we were made to love. It's been years since I've loved a film like I loved this. I want to keep going back to it and keep having to hold back tears every time because I understand. Team Joaquin forever.

Films I missed out on but will watch eventually: In a World, August: Osage County, A Single Shot, To the Wonder, Cutie and the Boxer, Computer Chess, Post Tenebras Lux, Room 237, Drug War, Drinking Buddies, C.O.G., Prince Avalanche, Stoker, Behind the Candelabra, Wadjda, 20 Feet From Stardom, About Time, Pacific Rim

The 15 Best Performances I Saw in 2013

Unranked, because these are all excellent enough to the point that I don't want to discriminate. Fifteen because I really didn't want to limit it to only ten.

  • Cate Blanchett, Blue Jasmine
  • Julie Delpy, Before Midnight
  • Bruce Dern, Nebraska
  • Adele Exarchopoulos, Blue Is the Warmest Color
  • Michael Fassbender, 12 Years a Slave
  • James Franco, Spring Breakers
  • Greta Gerwig, Frances Ha
  • Oscar Isaac, Inside Llewyn Davis
  • Michael B. Jordan, Fruitvale Station
  • Brie Larson, Short Term 12
  • Matthew McConaughey, Dallas Buyers Club
  • Lupita Nyong'o, 12 Years a Slave
  • Joaquin Phoenix, Her
  • Robert Redford, All Is Lost
  • June Squibb, Nebraska
As a reward for making it through all of those words, here's a Spotify playlist (featuring the song in the title of this post) and my favorite response to anything ever.

But this is what love is for,

Will