"In the immemorial style of young men, they decided to lie down for a while and waste time." - Michael Chabon, The Amazing Adventures of Kavalier & Clay
Ferris Bueller said it best: "life moves pretty fast." I can't really sum up how I've been feeling as of late better than that, because it feels like everything and everyone around me is moving so quickly and I'm caught in the midst of it all. The perfect storm that is life is raging right now, with school, work, and everything else at their respective peaks of productivity and output.
I don't sleep as much as I used to. That's a common theme for most people in college, right? The issue for me is that I spend a lot of time in my bed not sleeping and thinking about things that either need to be done or daydreaming about events that I want to think about instead of actually dreaming. Real dreams are terrifying and can go haywire without you having any input in them and they're never really "good."
I've learned in my time in college and through different forms of discipleship over the past two years that I struggle a lot with wanting control of different aspects of my life. I am terrified of the idea of not having control over my future or my work situation or what I'm doing next summer, but I understand that it's part of knowing God has a plan greater than anything I can dream of. I'm starting to grow slightly more comfortable with that aspect of life, perhaps because recently I've learned how much I really don't like dreams. (Sorry to dream lovers, but the nightmare to not nightmare ratio has been a solid 3:1 as of late. I can't explain it other than it's inherently related to sports and/or any coming-of-age movie released in the last decade.)
Perhaps that's why the quote you see above seems extremely relatable to me. I only have so much time in life to not be anxious about what lies ahead. Maybe it's time for me to lie down and daydream and not worry so much about what's due tomorrow or where I'm going to be in five years. I'm pretty confident that God's in control of that, so why should I be worrying anymore? (New idea: I write something about anxiety that's halfway coherent so people have a better grasp of INFP struggles.)
Because of time constraints and my inability to live in New York, I had to wait until now to release a best-of film list of 2013. I don't have a better introduction than that. Sorry.
The 20 Best Films of 2013, Ranked
Good Lord, what a year. Typically, I don't particularly enjoy the discussion of "was this a good year for film" that takes place at the end of every December, but there's no doubt in my mind that this year was the best in a decade or longer (since 2001?). I can't recall seeing such a large amount of films that I truly, deeply enjoyed, and it was legitimately painful to leave some of them off of this list. Because I hate decision making and making cuts, I've included a few more that should be watched.
Honorable Mentions
Anchorman 2: The Legend Continues. I need to be honest here: I wasn't totally convinced that I really liked this all that much, and then Vince Vaughn appeared and all was right with the series again. If it's possible to keep the story fresh (not that easy) and to maybe narrow it down to just Ron and Brick as a potential news duo, I'm not opposed to a third.
Blue Is the Warmest Color. So yeah, I watched this, and I didn't explode into flames! Imagine that. Yes, those certain scenes (look, just Google it because I'm not detailing them) are not exactly must-see (I think you can chalk it up to being "artistic" all you want, but it really kills the flow/pace of the film to that point), but the story as a whole is really beautiful and well-told. I'm especially rooting for Adele Exarchopoulos and Lea Seydoux, who deliver incredible performances and should get some award show attention with any luck.
Blue Jasmine. More or less a 2013 version of A Streetcar Named Desire with Cate Blanchett as Blanche, but it works, because Woody Allen is Woody Allen and Blanchett pulls off "downward spiral divorcee widow potential schizophrenic" like no one else can.
Despicable Me 2. I really didn't want to like this movie, mostly because I've hated just about every animated sequel ever (save for the Toy Story series). Simply put, those Minions are absolutely impossible to not be drawn in by, and Steve Carell is yet again too good as the voice of Gru. Kristen Wiig's character/love interest is a nice touch, too.
The Great Beauty. Confession: I haven't actually watched this yet. However, it's my honorable mentions list so I can do what I want, and from the 15 minutes I have been able to watch it would've been on here anyway.
The Hunt. The second-best horror film this year, for no other reason than it portrays an absolute nightmare situation for a teacher and it does it all too well. I can't recall ever wanting a happy ending more than I did watching this, and this is coming from someone who can't stand forced happy endings.
Philomena. Judi Dench + Steve Coogan = beautiful, heartbreaking true story. Go see it.
The Place Beyond the Pines. Another confession: I will watch anything Ryan Gosling's ever been in (this stops when it comes to the Notebook), because I'm not afraid to admit I have a mancrush on Mr. Gosling. I think half the reason I liked this so much was that I wanted to be Luke Glanton for Halloween for four months after seeing this in theaters.
The World's End. The slightly more funny apocalypse comedy from 2013 (no discount to This Is the End, however; it just missed the cut for this list). As long as Edgar Wright and Simon Pegg remain a team and spit out a film every four or five years, we'll be fine.
Top 20 Films of 2013
Only some of these have pictures, because I have better things to do than Google images from each of these, so I've included one for every five films (the top three are the exception). I'm sorry. Kind of.
20. Ain't Them Bodies Saints. From the title alone, it sounds like a parody of every Sundance film ever, and yes, it's kind of a Terrence Malick ripoff. Then again, we're praising
American Hustle for trying to be
Goodfellas Part 2, so who's really winning here? Casey Affleck remains underrated, but it's Rooney Mara who steals the show. Look for her in an actual Malick film in 2014 (or 2015 or maybe 2020. However, you can't
read the cast list and tell me it won't be incredible.)
19. Leviathan. I refuse to recommend this to anyone because it's something that myself and maybe two other people I know could really enjoy. It's Deadliest Catch with Go Pros, no dialogue, and some unusually beautiful and striking shots. I have no idea if that sounds appealing to anyone but me and the Atlantic Ocean fishing industry, but it was worth 80 minutes of my time.
18. Prisoners. Hugh Jackman plays father with missing child who doesn't really understand the idea of "maybe you shouldn't do that." Jake Gyllenhaal plays detective who tries to knock sense into Jackman, admits defeat, still wins because he's Jake freaking Gyllenhaal. I really liked this.
17. The Kings of Summer. Conventional in outcome/use of snakes? Yes. However, I loved this maybe too much for my own good. Nick Offerman is brilliant as always, and the young actors (all of whom were previously on Disney Channel shows) are great performers. Also, it's hilarious and serves as a great counterpoint to the unnecessarily depressing and underwhelming The Spectacular Now.
16. Upstream Color. Quick backstory: Shane Carruth is brilliant, made Primer in 2004 (which I've watched three times and still can't figure out despite understanding a decent bit of the physics references), does not care about traditional plot structure, does not care that his movies require great amounts of research and study to really understand, and is 2-for-2 so far as a filmmaker.
15. Gravity. This is an incredible theater experience and it's going to be years before anything like it will be seen in theaters, but Mark Harris of Grantland perhaps described it best: "Gravity is hugely respected by the Academy, but the screenplay is more tolerated than loved."
14. Mud. Hit US theaters in late April and was all but forgotten by the end of the year, which is a shame. Jeff Nichols knows the South as well as anyone (Arkansas native) and really gets the most out of his cast (including McConaughey/child actors) and the people around them. Flimsy story held together by great direction/cinematography/etc.
13. American Hustle. As I said earlier, it's more or less a 2013 update on Goodfellas with a different story, but I can't sit here and pretend like I didn't enjoy this a lot. Christian Bale continues to own his roles, Amy Adams gives her third incredible performance in four years (The Fighter/The Master), Bradley Cooper shows up and does well, etc.
12. Stories We Tell. Can't describe this in much depth without giving away key plot points, but a really good genre-busting documentary. What a year for documentaries, you guys.
11. 12 Years a Slave. I do think that it's honestly very good and that it probably deserves most awards it'll get this year, but I just feel like it's either a bit overlong or I don't get why Benedict Cumberbatch is in this or what. The tree scene with Solomon may be the best/most stunning scene of the year, though.
10. The Act of Killing. The director's cut of this is around 2 hours and 40 minutes and it's almost 45 minutes longer than what one would've seen in theaters, but my decision to watch the former was one of the best I made recently. I can't really describe this documentary, mostly because I don't want to. The final half-hour is as heartbreaking as anything I've seen in years.
9. Fruitvale Station. I don't buy the line of "12 Years a Slave as most important movie" that floated around late in the year, because in the wake of the Martin/Zimmerman case and outcome, this is the film I felt I needed to see the most. Not only is it well-done and well-acted (Michael B. Jordan and Octavia Spencer are highlights), the story (true, save for Oscar Grant's girlfriend/other events made to accentuate his character) is powerful and needs to be known in 2013.
8. All Is Lost. One man and a boat and a wide-open ocean and the sea experience from hell erupting around him. Robert Redford owns this and could potentially own the Best Actor Oscar soon. Essentially, this is Gravity at sea, but with much less dialogue and for a higher common denominator.
7. Inside Llewyn Davis. I saw this for the first time late in 2013 and I almost felt as if I had missed the point, because for whatever reason I had forgotten that the Coens don't make happy films for happy people. It's beautiful in its misery and Oscar Isaac is finally getting the recognition he deserves.
6. Frances Ha. Could I watch this GIF forever? Yes. Kind of like how I could watch Greta Gerwig dance forever and how this movie wins the "Movie I'll Rewatch the Most in the Next Five Years" and how Frances makes me want to love New York like Woody Allen does.
5. Before Midnight. Before you forget that Ethan Hawke can, indeed, act, you should watch Before Sunrise. Then Before Sunset. Then this. Jesse and Celine's story gets rocky in the third installment, and it hurts because of how real it feels. I want one of these every nine years until one of Hawke/Julie Delpy is unable to perform anymore.
4. The Wolf of Wall Street. No 2013 film (or any film I can think of previously) was as vile, dirty, and lovingly loathsome as
Wolf, and that's why it's absolutely incredible. Martin Scorsese pulls no punches in portraying someone as terrible as Jordan Belfort, and we love it. Leonardo isn't the Wolf, Marty is.
3. Nebraska. I can't count the amount of times while watching this that I thought I could easily interchange characters from the film with people from my family. If you have ever known anyone from the Midwest or have Midwestern family members, Nebraska is way too relatable. This is the definitive road movie of the last 25 years.
1. Her. Sammy Rhodes summed it up best for me the other day: "Her hits close to home for those of us who find comfort in the iWorld because we can't handle real intimacy." As Amy Adams says in the film, love is like a socially acceptable form of insanity. It doesn't make sense, and I'm not really sure it's supposed to. But that's not going to keep us from trying, because we want to love and we were made to love. It's been years since I've loved a film like I loved this. I want to keep going back to it and keep having to hold back tears every time because I understand. Team Joaquin forever.
Films I missed out on but will watch eventually: In a World, August: Osage County, A Single Shot, To the Wonder, Cutie and the Boxer, Computer Chess, Post Tenebras Lux, Room 237, Drug War, Drinking Buddies, C.O.G., Prince Avalanche, Stoker, Behind the Candelabra, Wadjda, 20 Feet From Stardom, About Time, Pacific Rim
The 15 Best Performances I Saw in 2013
Unranked, because these are all excellent enough to the point that I don't want to discriminate. Fifteen because I really didn't want to limit it to only ten.
- Cate Blanchett, Blue Jasmine
- Julie Delpy, Before Midnight
- Bruce Dern, Nebraska
- Adele Exarchopoulos, Blue Is the Warmest Color
- Michael Fassbender, 12 Years a Slave
- James Franco, Spring Breakers
- Greta Gerwig, Frances Ha
- Oscar Isaac, Inside Llewyn Davis
- Michael B. Jordan, Fruitvale Station
- Brie Larson, Short Term 12
- Matthew McConaughey, Dallas Buyers Club
- Lupita Nyong'o, 12 Years a Slave
- Joaquin Phoenix, Her
- Robert Redford, All Is Lost
- June Squibb, Nebraska
But this is what love is for,
Will